• Step one: Have no ideas.
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• Step two: Struggle to come up with some good ideas.
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• Step three: Suddenly lots of ideas start to arrive unexpectedly; write them all down.
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• Step four: Realize all ideas previously generated and written down were bad ideas.
• 
  
• Step five: Erase everything and start again.
• 
  
• Step six: Give up and/or get distracted by some other project.
• 
  
• Step seven: Toy with several half-ideas, but don’t develop them for fear of finding out later that they were in fact bad ideas.
• 
  
• Step eight: Half-heartedly start to develop/continue to toy with one of the half-ideas, all the while telling yourself that it won’t go anywhere and it’s probably a waste of time.
• 
  
• Step nine: Wake up in the middle of the night to realize that this half-idea that you’ve been toying with could not only be really good, but could also incorporate some of the material that you came up with earlier and really liked but finally erased because it seemed to go nowhere.
• 
  
• Step ten: GET EXCITED: You’ve still got it! How could you ever have doubted yourself? Become obsessed with fleshing out your new idea, working night and day until it is absolutely perfect.
• 
  
• Step eleven: Get stuck on some minor aspect. Obsess/vacillate over various possible but seemingly unsatisfactory solutions for a while.
• 
  
• Step twelve: Finally decide/concede that it must be finished. Be happy with your creation but also sad because the excitement of being inspired and working with your inspiration is over. Return to step one.

• Table of Contents
• Acknowledgements
• Introduction
• Chapter 1: Cuban Son and Cultural Tourism
• Chapter 2: The Buena Vista Social Club Phenomenon
• Chapter 3: Genre Issues in Cuban Son
• Chapter 4: Stylistic Analysis
• Appendix A: Musical Examples
• Appendix B: Photos
• Bibliography
• Complete Thesis as one PDF File

Les extraits musicaux sont tous ici à écouter (consultez le fichier « Bibliography » pour plus de detalles sur chaque piste) :

1. «Aquella Boca,» Sexteto Habanero 1927
2. Introduction to «A La Cuata Co y Co,» Sexteto Boloña 1926
3. Introduction to «Suavecito,» Septeto Nacional 1930
4. Introduction to «Caballeros, Silencio,» Sexteto Habanero 1927
5. Introduction to «Vitico,» Isaac Oviedo 1998
6. «Alza Los Pies, Congo,» (excerpt) Sexteto Habanero 1928
7. «Mi Arere,» (excerpt) Los Muñequitos de Matanzas 1988
8. «La Gente del Bronx,» (excerpt) Arsenio Rodríguez 1951
9. «La Bola,» (excerpt) Manolín, El Médico de la Salsa 1996
10. «La Expresiva,» (excerpt) NG La Banda 1990
11. «No Se Puede Tapar El Sol,» (excerpt) NG La Banda 1990
12. «El Traguito,» Félix Godón *
13. «Harina de Maíz,» Cuarteto Rumí *
14. Guajeo in Dm, Ilià¡n Torres *
15. Introduction to «Se Quema Pueblo Nuevo,» Septeto Machín *
16. «Ven, ven, ven,» (excerpt) Septeto Machín *
17. «Me Quedé Con Juana,» (excerpt) Son Soneros *
18. «Saca La Mano, Antonio,» Son Soneros *
19. «Mozambique,» (excerpt) Pedro «Pello el Afrokan» Izquierdo ca. 1963
20. «Ahora Te Pido, Sonero,» (excerpt) Son Soneros *
21. «Lágrimas Negras,» (excerpt) Son Diamante *
22. «El Que Siembra Su Maíz,» Perlas del Son *
23. Introduction to «Sabor a Caney,» Perlas del Son *
24. «Pedro Navaja,» (excerpt) Ruben Blades 1978
25. Guajeo in Am, Daniel Cos *
26. «Si No Te Vea,» Moneda Nacional *
27. «La Raya Rumbero,» Moneda Nacional *
28. Introduction to «Aquella Boca,» Cañambú *
29. «¿Que está pasando?,» (excerpt) Cañambú *
30. Bongó solo, Manuel Alemán and Cañambú *

* Enregistrement par l’auteur avec permissions, June-August 2004

N’hesitez pas a poser des questions, suggerer des changements, et offrir des corrections ici.